Two days in an empty house, one of which spent beating my head against the wall of exhaustion masking as writer’s block, four colours of Sharpie, 107 index cards and a pot of goulash. That’s what it took to completely re-outline Underworld Calling, my supernatural thriller, from scratch. Into that rewrite went notes from members of the London Writers’ Circle, friends on Twitter and excellent paid feedback from Drew Hilton, the Screenplay Mechanic.
As much as I loved the ideas and characters, and the last draft and story as a whole, I knew it had major issues: …read more
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